Catholic News Agency reports from Rome on November 23, 2025, detailing a Jubilee Mass for choirs celebrated by antipope Leo XIV (Robert Prevost) in St. Peter’s Square. The article emphasizes the usurper’s homily praising “liturgical music as ministry” while appealing for hostages in Nigeria/Cameroon and promoting World Youth Day. The counterfeit pontiff announced publication of “In Unitate Fidei” commemorating Nicaea’s 1700th anniversary ahead of his Türkiye-Lebanon visit. The entire spectacle epitomizes the conciliar sect’s replacement of Eucharistic worship with human-centered performativity.
Musical Exhibitionism Replaces Sacrificial Worship
The antipope’s assertion that choirs must avoid “the temptation of ostentation” rings hollow when his liturgy occurs in a square designed for spectacle rather than a church ordered to the Unbloody Sacrifice. His theatrical setting betrays the true nature of this gathering: a religious concert masquerading as Catholic worship. Pius XI’s Quas Primas expressly taught that Christ’s social kingship demands “the restoration of the reign of our Lord” (n.1) through doctrinal integrity, not emotional manipulation via music.
When the usurper claims “the choir symbolizes the Church,” he inverts the hierarchy of worship established by Pius X in Tra le Sollecitudini: “The primary and indispensable source of the true Christian spirit is participation in the sacred mysteries and the public prayer of the Church” (n.1). The conciliar sect reduces liturgy to communal singing rather than the priest’s sacramental action, thereby fulfilling Pius X’s warning against “the singer’s monopoly” that suppresses congregational prayer (n.13).
Naturalistic Humanism Displaces Supernatural Faith
Nowhere does the antipope mention the propitiatory Sacrifice, the Real Presence, or the need for sacramental confession prior to receiving Communion. His reduction of liturgy to “song [making] the journey lighter” echoes Paul VI’s blasphemous claim that “the liturgy is a festival, a spontaneous thing, a relaxing” (General Audience, Nov 26, 1969). Contrast this with Pius XII’s Mediator Dei: “The worship rendered by the Church to God must be, in its entirety, interior as well as exterior” (n.24).
The appeal for kidnapped Africans deliberately avoids identifying victims as Christians persecuted by Islamic terrorists. This silence continues Bergoglio’s policy of refusing to name Islamist violence while promoting false equivalence between Nigeria’s martyrs and their executioners. Pius XI’s Quas Primas condemnation of state neutrality toward Christ’s reign applies perfectly: “When once men recognize…that Christ has been given all power in heaven and on earth…it will be impossible for them to pay the civil authority supreme honor” (n.18).
False Ecumenism Corrupts Nicene Commemoration
The announcement of “In Unitate Fidei” ahead of the Nicaea anniversary signals another Bergoglian assault on dogma. Just as the 2016 “Charta Oecumenica” adulterated the Reformation’s 500th anniversary, this document will likely pervert Nicaea’s condemnation of Arianism into a plea for “dialogue” with Orthodox schismatics and Muslims. St. Pius X’s Pascendi Dominici Gregis exposed this Modernist tactic: “Dogmas mutate to harmonize with scientific progress or to suit the needs of the time” (n.13).
The World Youth Day exhortation compounds this betrayal by urging youth to discover “the beauty…of dedicating him or herself to his Kingdom of love” – a vacuous sentimentality divorced from Pius XI’s definition of Christ’s reign as demanding “the restoration of all things in Christ” (Eph 1:10) through the Church’s immutable doctrines (Quas Primas, n.1).
Omissions Reveal Apostate Priorities
Three glaring silences condemn this spectacle more than any uttered heresy:
1. No mention of the Traditional Latin Mass, whose Gregorian chant constitutes the Church’s authentic musical tradition as codified by Pius X and Pius XII. The conciliar sect’s “liturgical music” consists of Protestant hymns and secular melodies unfit for divine worship.
2. No warning against sacrilegious communions in conciliar liturgies where valid consecrations rarely occur due to invalid matter, improper form, or heretical intent. Pius XII’s Mediator Dei decreed: “The sacred liturgy does not decree or determine anything that faith itself has not divinely revealed” (n.46).
3. No invocation of Christ’s Social Kingship over nations, despite the feast’s occasion. The antipope’s mere lip service to “King of Justice” betrays Quas Primas’ demand that rulers “publicly honor and obey Christ” (n.19). His upcoming Türkiye visit will doubtless continue the Vatican II betrayal of Catholic states by bowing to Islamic regimes.
As choirs performed their synodal pantomime, the true Church mourned another desecration of Christ’s royal dignity. Let us heed Pius XI’s warning: “When once men recognize…that Christ has been given all power…they will not refuse to submit to the empire of our Redeemer” (Quas Primas, n.25). The counterfeit church of the antipopes submits instead to the world’s cacophony.
Source:
Liturgical singing requires 'a deep spiritual life,' Pope Leo XIV says (catholicnewsagency.com)
Date: 23.11.2025