Synodal Singing: Conciliar Sect’s Betrayal of Christ the King
Vatican News portal (November 23, 2025) reports on a Mass celebrated by antipope Leo XIV (Robert Prevost) for the “Jubilee of Choirs,” framing choir ministry as a vehicle for “ecclesial unity” and “synodality.” The article quotes the usurper’s homily: “The liturgy invites us… to walk together in praise and joy towards the encounter with the Lord Jesus Christ, King of the Universe”, reducing Christ’s sovereignty to a metaphor for collectivist sentiment.
Naturalistic Subversion of Christ’s Kingship
The antipope’s assertion that Christ’s kingship is revealed “not in power but in self-giving” and that “His throne is the Cross” distorts the Church’s perennial teaching. Pius XI’s encyclical Quas Primas (1925) definitively declared Christ’s social reign over nations: “Kings and princes are bound to give public honor and obedience to Christ… for the glory due to the Catholic name” (§19). By reducing Christ’s dominion to a mere spiritualized “journey,” the conciliar sect denies His right to govern civil societies—a truth anathematized by Pius IX’s Syllabus of Errors (1864), which condemned the claim that “the Church ought to be separated from the State” (Proposition 55).
Liturgical Music as Tool of Modernist Deconstruction
Antipope Leo XIV’s admonition that choirs avoid “ostentation” and “performance” masks a deeper agenda: the erasure of the Mass’s propitiatory character. Sacred music, as defined by St. Pius X in Tra le Sollecitudini (1903), must “contribute to the decorum of the liturgy [and] foster the faith of participants” (§2). The conciliar sect inverts this purpose, treating choirs as instruments of communal emotion rather than servants of the Sacrifice. The article’s praise for “walking together” echoes the heresy condemned in Pius X’s Lamentabili Sane (1907): that “truth develops with man, in him, and through him” (Proposition 58).
Fraudulent Patristic Citations
The usurper’s reference to St. Ignatius of Antioch—“From your unity and harmonious love, sing to Jesus Christ… in unison”—is a calculated distortion. Ignatius’ Letter to the Ephesians (4:1-2) demands unity against heresy: “Be deaf when any speak to you apart from Jesus Christ… lest you become corruptible!” By weaponizing the Fathers to legitimize syncretism, the conciliar sect replicates Modernism’s “evolution of dogma”—a tactic Pius X condemned as “the synthesis of all heresies” (Pascendi Dominici Gregis, §39).
Omission of the Supernatural
Nowhere does the article mention grace, sin, or judgment—the very realities that define authentic liturgy. The choir’s role, per pre-1958 theology, is to facilitate the adoration owed to God alone (Council of Trent, Session XXII). Instead, the “ministry” described reduces singing to a psychosocial exercise in “consoling brothers and sisters” and “encouraging them in difficulties,” echoing the naturalism denounced in Pius IX’s Syllabus: “Moral laws do not stand in need of divine sanction” (Proposition 56).
Conclusion: Apostasy Disguised as Harmony
This jubilee event epitomizes the conciliar sect’s apostasy. By replacing Christ’s social kingship with a “synodal” parade and reducing sacred music to emotional manipulation, antipope Leo XIV confirms Pius X’s warning: “The Modernist sustains and embraces all heresies” (Pascendi, §39). True Catholics must reject this blasphemous spectacle and cling to the lex orandi of the Immemorial Mass—where choirs “sing to the Lord a new song, for He has done wondrous deeds” (Psalm 97:1), not to flatter the pretensions of usurpers.
Source:
Pope Leo: Choirs are called to be a sign of the Church’s unity (vaticannews.va)
Date: 23.11.2025