Catholic News Agency reports on an electronic music event organized by the Košice archdiocese on November 8, 2025, featuring Portuguese “priest” Guilherme Peixoto as DJ, with prerecorded participation from antipope Leo XIV. The spectacle involved laser projections on St. Elisabeth Cathedral, techno remixes of the antipope’s message, and dancing youth under the banner of “inclusion and tolerance.”
Sacrilegious Desecration of Sacred Space
The transformation of a consecrated cathedral precinct into a dance club constitutes blasphemous inversion of sacred order. Pius XI’s Quas Primas (1925) establishes that Christ’s kingship demands “religious reverence” in places of worship, not “the gratification of pleasure” condemned by the Syllabus of Errors (1864). The 14th-century Gothic cathedral – designed ad majorem Dei gloriam (for the greater glory of God) – was reduced to a backdrop for sensory bombardment, violating Canon 1178 of the 1917 Code which forbids profane uses of consecrated spaces.
Musical Modernism as Liturgical Sabotage
Peixoto’s claim that “electronic music is a privileged way to build a better world” echoes the Lamentabili Sane (1907) condemnation of those who “equate the Church’s doctrine with philosophical investigations.” Pius X’s Tra le Sollecitudini (1903) explicitly banned “profane tunes” in liturgy, mandating Gregorian chant as “the supreme model.” The fusion of techno beats with liturgical elements constitutes simulated sacramentality – a hallmark of Modernist corruption condemned in St. Pius X’s Pascendi Dominici Gregis (1907).
Ecclesiastical Complicity in Apostasy
Archbishop Bober’s sanctioning of this sacrilege reveals the conciliar sect’s systematic dismantling of Catholic identity. The 1917 Code’s Canon 1258 forbade Catholics from participating in non-Catholic worship, yet here we witness hierarchy-led syncretism. Leo XIV’s video message – weaving his “amen” into dance tracks – fulfills Pius IX’s warning against Civilta Cattolica (1868) about “false shepherds who seek the applause of the world rather than the glory of Christ.”
Demonic Distortion of Youth Ministry
The event’s stated purpose – connecting faith with youth culture through “inclusion and tolerance” – constitutes pastoral malpractice. Pius XI’s Divini Illius Magistri (1929) condemned educational methods that prioritize “earthly happiness” over salvation. The Syllabus expressly rejected the error that “the Church ought to reconcile herself with progress” (Error 80). True Catholic action forms youth in ascesis (spiritual discipline), not sensory indulgence.
Conclusion: Eclipse of the Supernatural
This spectacle epitomizes the conciliar sect’s complete abandonment of Catholicism’s sacrificial essence. While claiming to “build fraternity,” it omits the Unbloody Sacrifice of Calvary – the Mass – which alone gives meaning to ecclesial gatherings. As the Third Secret of Fatima warned (contrary to approved apparitions), such sacrileges signal the apostasy infesting counterfeit church structures. True shepherds would recall St. Paul’s admonition: “What concord hath Christ with Belial?” (2 Cor 6:15).
Source:
Fact check: Did Pope Leo host a rave last week in Slovakia? (catholicnewsagency.com)
Date: 25.11.2025