EWTN News portal reports on a carefully orchestrated event during the apostolic journey of the usurper Leo XIV to Spain, specifically at the Sagrada Familia basilica in Barcelona. The article describes how a 13-year-old blind girl, Valentina, was presented to the antipope and the Spanish monarchs to describe the tower of Jesus Christ through touch. The narrative is saturated with sentimentalism and focuses entirely on human achievement, disability, and emotional experience, while remaining utterly silent on the supernatural truths of the Faith, the state of souls, and the crisis of faith in the Church. This event is a textbook example of the post-conciliar cult of man, where the focus is shifted from the adoration of God to the celebration of human sentiment and inclusivity, a direct fruit of the modernist revolution that has gutted the Church of its divine mission.
The Spectacle of Sentimentality Over Substance
The article presents a scene meticulously designed for emotional impact: a blind child, a famous basilica, and the head of the conciliar sect. The language is dripping with pathos: “particularly moved the pope,” “excited and enthusiastic,” “devours books,” “see the Sagrada Família together one day.” This is not news; it is propaganda for the religion of humanity. The entire purpose of this spectacle is to demonstrate that the post-conciliar church is “inclusive,” “compassionate,” and “close to the people.” It is a public relations exercise, not a spiritual event. Where is the call to conversion? Where is the preaching of the Gospel? Where is the demand for the Social Reign of Christ the King? These are replaced by a feel-good story about a girl and her tactile model.
The Omission of the Supernatural: A Deafening Silence
The most glaring sin of this article, and the event it describes, is the complete absence of the supernatural. Valentina is described as seeing the tower “with her heart.” In the modernist lexicon, this is a metaphor for emotional perception. In the Catholic lexicon, the heart is the seat of the soul, the place where the Holy Ghost dwells, and the organ of supernatural charity. To reduce its function to a substitute for physical sight is a naturalistic reduction of the spiritual life. There is no mention of the grace of God, the sacraments, the reality of sin, or the need for salvation. The article is content to present a human interest story, stripping the event of any transcendent meaning. This is the hallmark of the neo-church: the systematic removal of the divine from public discourse, replacing it with a horizontal, humanistic ethos.
The Cult of Man and the Democratization of Sanctity
The article celebrates Valentina’s achievements: her education, her violin studies, her love of reading. These are natural goods, but they are presented as the ultimate purpose of the Church’s interaction with the world. The Church’s mission is to sanctify souls, to lead them to Heaven through the sacraments and the preaching of the integral Faith. Here, the mission is reduced to social integration and the celebration of human potential. This is the direct consequence of the modernist error condemned by St. Pius X in Pascendi Dominici Gregis, where the Church’s role is reduced to a “benevolent society” for the betterment of mankind on earth. The focus on disability, while not inherently wrong, is weaponized here to promote the conciliar agenda of “inclusion” and “dignity of man,” concepts that, when divorced from their supernatural end, become idols of the secular religion.
The Sagrada Familia: A Monument to Modernist Architecture
The choice of venue is itself significant. The Sagrada Familia, while dedicated to the Holy Family, is a product of the 19th and 20th centuries, an era of profound crisis in art and architecture. Its organic, flowing forms are a stark departure from the verticality and order of classical sacred architecture, which was designed to lift the soul to God. This basilica, like the conciar religion it now houses, is a monument to human creativity and sentiment, rather than a house of sacrifice and prayer. For the antipope to celebrate the dedication of its tallest tower is to consecrate, in a public and symbolic way, the triumph of modernist aesthetics over the sacred.
The Usurper’s Journey: A Pilgrimage of Apostasy
The article describes the journey of Leo XIV as an “apostolic journey.” This is a grotesque misuse of language. An apostolic journey is undertaken by the Vicar of Christ to confirm the faith of the faithful, to preach the Gospel, and to sanctify the people. The journeys of the antipopes are nothing more than state visits, public relations tours, and celebrations of the conciliar revolution. They visit not to strengthen the faith, but to promote the agenda of the World Council of Churches, the United Nations, and the globalist elite. The encounter with Valentina is a perfect symbol of this: a photo opportunity designed to showcase the “human face” of the neo-church, while the souls of the faithful are abandoned to spiritual starvation.
The Complicity of the Media
The article, published by EWTN News, demonstrates the complete capitulation of supposedly Catholic media to the conciar narrative. There is no critical analysis, no questioning of the event’s spiritual value, no contrast with the teaching of the true Church. Instead, the article is a simple, uncritical regurgitation of the official press release. This is the role of the modernist media: to serve as a mouthpiece for the antipope and his agenda, to normalize the abnormal, and to present the fruits of the apostasy as signs of “hope” and “renewal.” The faithful must reject this propaganda and seek the truth in the unchanging teaching of the Church, which has been abandoned by these institutions.
Conclusion: The Triumph of the Heart Over the Cross
The story of Valentina and the antipope is a microcosm of the entire conciliar revolution. It is a story where the heart, understood as human emotion and sentiment, is elevated above the Cross, which is the instrument of our salvation and the sign of contradiction to the world. It is a story where the celebration of human achievement replaces the adoration of God. It is a story where the Church’s mission is reduced to social work and public relations. This is not the Catholic Faith. This is the religion of the Antichrist, a naturalistic, humanistic cult that uses the name of Christ to promote the worship of man. The faithful must reject this abomination and cling to the unchanging Tradition of the Church, which alone can lead souls to eternal life. As Pope Pius XI taught in Quas Primas, “The kingdom of Christ… extends not only to Catholic nations… but His reign encompasses also all non-Christians, so that most truly the entire human race is subject to the authority of Jesus Christ.” This truth is utterly foreign to the spectacle at the Sagrada Familia, where the only king celebrated is the king of human sentiment, and the only heart that matters is the one that “sees” without the light of Faith.
Source:
Blind girl tells Pope Leo XIV how she sees the Sagrada Familia’s tallest tower ‘with her heart’ (ewtnnews.com)
Date: 12.06.2026