Antipopes of the Antichurch

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Vatican Encounter Reduces Church’s Mission to Therapy Session

The [X] portal reports on a February 2, 2026 meeting between Irish clerical abuse victim David Ryan and antipope Leo XIV (Robert Prevost). Ryan, abused in the 1970s at Blackrock College, described the 40-minute conversation as empathetic, claiming the antipope “felt my pain” and promised further email correspondence. Deirdre Kenny of “One In Four” also attended, praising the encounter as “very human.” The article frames the event as progress for abuse victims, omitting any reference to sacramental repentance, divine justice, or the Church’s duty to uphold eternal truths.

SSPX Schism Deepens With Illicit Bishop Consecrations

The EWTN News article dated February 2, 2026 reports that the Society of St. Pius X (SSPX) plans to consecrate bishops on July 1 without papal mandate. This act repeats Archbishop Marcel Lefebvre’s 1988 schismatic consecrations, which incurred latae sententiae excommunication under Canon 1382. The SSPX claims doctrinal disagreements with Vatican II justify their actions, while the Vatican maintains their “imperfect communion” status. This deliberate rupture exposes the SSPX’s fundamental rejection of Roman authority and their pretense of Catholic identity.

Mexican Prelates’ “Synodal” Agenda Exposes Conciliar Apostasy

The EWTN News portal (February 2, 2026) reports that the Mexican Episcopal Conference, led by “Bishop” Ramón Castro Castro, plans to advance a “more synodal Church” by 2026 under the pretext of addressing violence and migration. The article claims this initiative honors Cristero martyrs while invoking “Christ the King,” yet promotes the conciliar sect’s false ecumenism and naturalistic social activism.

The Lourdes Musical: Propagating Modernist Distortions Under Guise of Piety

EWTN News (February 2, 2026) reports on the U.S. debut of “Bernadette, The Musical,” which dramatizes the alleged Marian apparitions to Bernadette Soubirous in 1858 Lourdes, France. The production, having toured Europe, will be performed in Chicago before visiting 11 other states. Producer Pierre Ferragu claims the musical presents “historic facts” while inviting audiences to decide whether Bernadette “lied” or “told the truth” about her visions. This theatrical spectacle epitomizes the post-conciliar sect’s reduction of supernatural faith to emotional entertainment.

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