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Vatican Event Promotes Naturalistic “Jubilee” Over Christ’s Social Kingship

The VaticanNews portal (November 18, 2025) reports on the “Restarting the Economy” event organized by “The Economy of Francesco” initiative. Promoting a “global meeting” at Castel Gandolfo from November 28-30, the article frames the Jubilee Year as a “Sabbath for the world” focused on environmentalism, debt relief, and social justice. Using Bergoglio’s 2019 call for “giving a soul to the economy,” it advocates a “renewed covenant with creation” while omitting any reference to the Kingship of Christ or the supernatural mission of the Church.

Ghana “Bishops” Embrace Synodal Apostasy

VaticanNews portal reports (November 18, 2025) on the Ghana Catholic “Bishops’” Conference plenary assembly held under the theme “A Synodal Church at the Service of Justice and Peace in Ghana.” “Bishop” Matthew Kwasi Gyamfi of Sunyani Diocese emphasized synodality as requiring “deeper listening, shared responsibility, and discernment,” while outlining priorities including environmental activism, political inclusivity, and restructuring parish committees. The assembly coincided with the 30th anniversary of the Diocese of Damongo, with “bishops” calling for government collaboration on Catholic schools and declaring a “state of Emergency” against illegal mining.

A solemn depiction of the unveiling of a 16-foot statue of 'Pope' Leo XIV in Chiclayo, Peru, surrounded by 'Bishop' Edinson Farfán and local officials.

Chiclayo’s Idolatrous Homage to the Usurper of Peter’s Throne

The Catholic News Agency (CNA) reports the unveiling of a 16-foot statue of “Pope” Leo XIV (Robert Prevost) in Chiclayo, Peru, where he served as “bishop” from 2014 to 2023. The fiberglass-resin effigy, erected on a central roundabout, was ceremonially blessed by “Bishop” Edinson Farfán, who called it a symbol of “walking together: Church, state, institutions, and citizens under God’s gaze.” Regional officials praised the statue as an act of thanksgiving to the “Peruvian at heart,” while local dancers performed the marinera and a pop song titled “La Cumbia del Papa.” This spectacle epitomizes the conciliar sect’s descent into personality cults and naturalistic pantheism.

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