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The Usurper’s Embrace of Religious Liberty: A Heresy Crowning the Americanist Revolution

National Catholic Register portal (June 12, 2026) reports that the usurper Leo XIV, in a message read at the Becket Fund’s Canterbury Medal Gala in Philadelphia, commended the defense of “religious freedom” as “the cornerstone of any just society,” praising the organization’s 30-year effort to defend this right and linking it to the innate dignity of the human person as expressed in the U.S. Declaration of Independence. The article describes the event, held at the National Constitution Center with Independence Hall as a backdrop, where Becket Fund chairman Bill Mumma received the Canterbury Medal, and where Becket President Mark Rienzi declared that “religious freedom is at the heart of the American story,” enabling people of “differing and conflicting beliefs to live together in peace.” The article lists past medalists including Elie Wiesel, an Orthodox rabbi, and a Latter-Day Saint leader. This message from the Vatican usurper represents the formal coronation of the very heresy of religious liberty that the true Church has consistently condemned as a rebellion against the Kingship of Christ and the social reign of God.

The Usurper’s “Religious Liberty”: A Heretical Foundation for the Reign of Man Over God

EWTN portal reports that the usurper Robert Prevost, styling himself “Pope Leo XIV,” delivered a commendatory message to the Becket Fund for Religious Liberty at its 2026 Canterbury Medal Gala in Philadelphia. The message, read by Philadelphia “Archbishop” Nelson Pérez, praised the organization’s defense of “religious liberty” as “the cornerstone of any just society” and linked it to the “innate dignity” of the human person as expressed in the Declaration of Independence. The article further highlights the award of the Canterbury Medal to William P. Mumma and statements by Becket Fund President Mark Rienzi emphasizing the centrality of religious freedom to the American story. This commendation is not merely a diplomatic courtesy; it is a public, formal endorsement by the occupant of the Vatican of the very heretical principle of religious liberty that the true Church has consistently condemned as a pestilential error against the Social Kingship of Christ and the duty of states to recognize Him as their supreme Lawgiver and King.

The Emptiness of Conciliar Hope: A Gospel Without the Cross, Without the Church, Without Truth

The National Catholic Register, a publication fully embedded in the post-conciliar conciliar sect, presents its “Sunday Guide” for June 14, 2026, authored by Msgr. Charles Pope, a “priest” and “pastor” in the Archdiocese of Washington, DC. The text offers a commentary on the Sunday Mass readings—Exodus 19:2–6a, Psalm 100, Romans 5:6–11, and Matthew 9:36–10:8—but does so entirely within the framework of the post-conciliar liturgical and theological revolution. The commentary is saturated with naturalism, psychological introspection, and a complete absence of the supernatural realism that characterizes authentic Catholic doctrine. It reduces the mystery of salvation to sentimental interiority, omits the necessity of the true Church, the sacraments properly administered, the reality of sin, and the necessity of sanctifying grace obtained through the Most Holy Sacrifice of the Mass. The article exemplifies the spiritual bankruptcy of the neo-church: a “gospel” stripped of dogma, authority, and the Cross.

A traditional Catholic Mass in a Gothic church with a priest in a cassock celebrating the Holy Sacrifice, emphasizing the beauty and solemnity of the True Faith.

“Look Up” — A Conciliar Anthem of Naturalism, Syncretism, and Spiritual Bankruptcy

VaticanNews portal (June 12, 2026) reports on the anthem “Alza la Mirada” (“Look Up”), composed for the apostolic journey of the antipope Leo XIV to Spain, featuring over 1,700 voices recorded in various churches, including the Basilica of the Sagrada Familia in Barcelona. The article presents the hymn as a joyful, unifying message for young Catholics, emphasizing its lyrics about lifting one’s gaze to Jesus while simultaneously celebrating regional identity, inclusivity, and a vague spiritual experience devoid of doctrinal substance. The entire enterprise is a textbook example of the conciliar sect’s method of reducing the supernatural faith of Christ to a sentimental, naturalistic, and syncretistic spectacle — a liturgical entertainment that would have been condemned by every Pope who faithfully guarded the deposit of faith.

Varia

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