Antipopes of the Antichurch

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Antipope Leo XIV with Cate Blanchett and Spike Lee in a Vatican event promoting cinema as a false spiritual art.

Cinema as False Gospel: Antipope Leo XIV’s Syncretism with Worldly Art

VaticanNews portal (November 15, 2025) reports that antipope Leo XIV hosted actors and filmmakers in the Apostolic Palace, declaring cinema an art that “sets hope in motion” and calling for renewed “friendship between the Church and cinema.” The article portrays this gathering as legitimate ecclesial engagement, quoting the usurper’s claims that films help audiences “examine the world as if for the first time” and serve as “workshop[s] of hope.” The event concluded with ceremonial exchanges including actress Cate Blanchett presenting jewelry and filmmaker Spike Lee offering basketball memorabilia.

Catholic bishop in traditional vestments addresses faithful in a grand cathedral, defending Catholic sovereignty against modernist heresies.

USCCB’s Immigration and Synodality Agenda: A Betrayal of Catholic Sovereignty

VaticanNews portal reports (November 15, 2025) that newly elected USCCB president Paul Coakley prioritizes immigration advocacy, “synodality,” and overcoming polarization through “dialogue.” The article portrays the U.S. as “a nation built on migration experience” requiring bishops to “alleviate fears” of immigrants through “advocacy” for “just laws” facilitating migration. Coakley claims this aligns with “Pope Leo’s” call to be “agents of communion” against polarization, promoting a “synodal Church” where bishops “listen” and “dialogue” to build “unity.” This Modernist program masquerading as pastoral care constitutes apostasy from the Social Kingship of Christ.

Antipope Leo XIV and Canadian bishops in a Vatican museum hall with indigenous artifacts, symbolizing syncretism and the dilution of Catholic faith.

Syncretism Masquerading as “Ecclesial Sharing” in Vatican’s Artefact Gesture

The VaticanNews portal reports on 15 November 2025 that antipope Leo XIV gifted 62 indigenous artifacts to the Canadian Conference of Catholic Bishops (CCCB), framing this act as “a concrete sign of dialogue, respect, and fraternity” following his predecessor’s 2022 visit to Canada and the 2023 repudiation of the “Doctrine of Discovery.” The artifacts, originally sent to Rome for the 1925 Vatican Missionary Exhibition under Pius XI, are described as witnesses to “the encounter between faith and the cultures of indigenous peoples.” The Canadian bishops pledged to “properly safeguard and preserve” these objects in collaboration with the Vatican’s Directorate of Cultural Heritage. This theatrical restitution, couched in the language of Jubilee “hope,” exemplifies the neo-church’s capitulation to naturalism and betrayal of its evangelic mandate.

Portrait of St. Albert the Great in Dominican habit, surrounded by medieval scientific instruments and a starry night sky, symbolizing the harmony between faith and reason.

Conciliar Distortions of St. Albert’s Legacy: Naturalism Masked as Piety

The National Catholic Register portal (November 15, 2025) attempts to rehabilitate the conciliar sect’s false “faith-science dialogue” by co-opting St. Albert the Great. While praising his scientific pursuits, the article omits crucial distinctions between authentic Catholic epistemology and the neo-modernist synthesis infecting the post-conciliar structures. The portal claims:

Albert showed that the principles articulated in Aristotle’s natural philosophy could be harmoniously placed within the cosmos described by Scripture

This deceptive framing ignores the sine qua non condition of Albert’s work: philosophy as ancilla theologiae (handmaiden to theology). The Angelic Doctor himself warns in Summa Contra Gentiles (I.7) that human reason must submit to divine revelation, not seek “harmony” as equal partners.

Varia

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Antipopes separate web sites with their all documents refutation – in progress

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