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EWTN Executive’s Philippine Appointment Advances Conciliar Apostasy

Catholic News Agency reports on January 14, 2026, the appointment of Edwin Lopez—EWTN’s Asia-Pacific regional manager—as executive secretary of the Catholic Bishops’ Conference of the Philippines (CBCP) Commission on Social Communications. Lopez, a married layman, retains his EWTN role while assuming this position, succeeding “Father” Ildefonso Dimaano, now spokesperson for CBCP president “Archbishop” Gilbert Garcera. EWTN CEO Michael Warsaw praised Lopez’s “leadership” and “experience,” while Lopez asserted digital tools must serve “relational communion” rather than replace it, claiming technology should lead people to “the Eucharist.”

Manila’s Idolatrous Spectacle Masquerading as Catholic Devotion

Catholic News Agency reports on the January 9, 2026 “Feast of the Black Nazarene” in Manila, Philippines, where 9.6 million people participated in a 30-hour procession of a darkened wooden statue. The article describes Bishop Rufino Sescon Jr. (Diocese of Balanga) condemning political corruption during his homily while praising devotees’ “toughness.” The report highlights emotional testimonies from participants and quotes Cardinal Jose Advincula’s call for “humility,” omitting any reference to the sacraments or the social reign of Christ the King.

Manila’s Millions in Misguided Devotion: Naturalism Masquerading as Piety

The Vatican News portal reports on January 14, 2026, about nearly 10 million Filipinos participating in the Feast of the Black Nazarene, highlighting the 31-hour procession of a fire-darkened 17th-century statue through Manila’s streets. The article emphasizes crowd size, barefoot pilgrims in maroon garments, and devotees attempting to touch the carriage carrying the image as central elements of what it calls “one of the most popular religious celebrations in Asia.” The celebration culminates in returning the statue to Quiapo Church, with government officials boasting about record-breaking attendance figures. This spectacle exemplifies how modernist structures replace supernatural faith with emotional pageantry.

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