Antipopes of the Antichurch
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Vatican Concert Exposes Conciliar Sect’s Apostate Priorities
A recent Vatican News report details a Christmas concert in the Paul VI Hall where antipope Leo XIV bestowed the “Ratzinger Prize” on conductor Riccardo Muti after his performance of Cherubini’s “Mass for the Coronation of Charles X.” The event, jointly organized by the Dicastery for “Culture and Education” and the “Pontifical Foundation Gravissimum Educationis,” featured speeches promoting naturalized aesthetics over Catholic doctrine. Cardinal José Tolentino de Mendonça used the occasion to lament global educational disparities while Fr. Federico Lombardi praised Muti’s “dialogue” with the late antipope Benedict XVI. The spectacle exemplifies the conciliar sect’s complete inversion of ecclesiastical priorities.
Apostolic Letter’s Naturalism Masquerading as Piety
CatholicNewsAgency.com reports on an apostolic letter issued by antipope Leo XIV (Robert Prevost) commemorating the centenary of the Pontifical Institute of Christian Archaeology. The document claims archaeology “bring[s] to light the anonymous holiness of many faithful” and serves as “a valuable instrument of evangelization.” The article emphasizes archaeology’s alleged role in proving Christianity’s historical roots and fostering “dialogue,” while omitting the supernatural foundations of the Faith. This represents yet another attempt by the conciliar sect to replace divine revelation with humanistic historicism.
Bergoglian Sect Exploits Guadalupe to Promote Conciliar Apostasy
The VaticanNews portal (December 12, 2025) reports on a so-called “Mass” celebrated by antipope Leo XIV (Robert Prevost) in honor of Our Lady of Guadalupe. The article describes this modernist spectacle as emphasizing Mary bringing “joy where human joy is lacking,” with direct quotes attributed to the usurper: “Mary throughout her life brings joy to places where human joy is insufficient” and “Our Lady of Guadalupe proclaims the core of her message: ‘Am I not here, I who am your mother?’” The text concludes with Leo XIV’s prayer asking Mary to teach the world “not to be divided into irreconcilable factions” and to “support him in his ministry as the Successor of St Peter.” This performance exemplifies the conciliar sect’s systematic perversion of authentic Marian devotion into a vehicle for religious indifferentism.
Vienna Exhibition’s Blasphemy Exposes Post-Conciliar Apostasy
Catholic News Agency reports on a December 8 prayer rally protesting Vienna’s Künstlerhaus exhibition featuring blasphemous depictions including a crucified frog and transgender Virgin Mary. Organized by the Austrian TFP, protesters denounced these works as attacks on Catholic faith while museum officials invoked “artistic freedom” protections. The article notes Bishop Hermann Glettler’s endorsement of the exhibition as engaging “the mystery of God” and references Benedict XVI’s ineffective 2008 intervention against the same “crucified frog” artwork.
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