Antipopes of the Antichurch

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Naturalistic Peace Prayer from the Usurper

The “Peace” of the Antichurch: A Naturalistic Prayer That Nullifies Christ’s Kingship

The VaticanNews portal reports that the antipope known as “Leo XIV” (Robert Prevost) has released his prayer inte…

Bernini’s Baldachin: Baroque Splendor or Apostate Spectacle?

EWTN News reports on a new Roman exhibition highlighting Pope Urban VIII’s patronage of the young Gian Lorenzo Bernini and the decade-long construction of the massive bronze Baldachin over St. Peter’s tomb. The show emphasizes the political and dynastic dimensions of the commission, the technical challenges, and the Barberini family’s self-fashioning through art, while treating the relic-like handling of excavated soil with vague religiosity. The article’s underlying assumption—that such papal artistic ambition is inherently laudable and central to Catholic identity—reveals a profound secularization of sacred art, reducing the supernatural purpose of the Church to mere cultural and political exhibition. This framing, emanating from a post-conciliar source, systematically omits the Catholic doctrine that all art must serve the worship of God and the salvation of souls, instead promoting a naturalistic humanism that aligns with the errors condemned by Pius IX and Pius X.

A solemn image of the deserted Sistine Chapel during a conclave, symbolizing the erosion of sacred secrecy in the papal election.

Conclave Secrecy’s Collapse Exposes the Conciliar Sect’s Apostate Nature

The Pillar Catholic reports on the publication of a book detailing the 2025 conclave that elected “Pope” Leo XIV, highlighting the accelerating erosion of the absolute secrecy mandated by canon law (Universi domenici gregis). The article notes repeated breaches—from Cardinal Tagle’s anecdote about a throat lozenge to Cardinal Sako’s disowned interview—and observes that no canonical penalties (excommunication) are applied, signaling a shift from legal obligation to cultural preference. It questions whether “Pope” Leo XIV, a canonist, will address this “new normal,” and warns that the disconnect between law and practice fosters an antinomian culture where legal validity depends on authority’s will to enforce. The article concludes that without intervention, future popes may inherit a conclave process stripped of its sacred integrity.

Traditional Catholic bishops kneeling before Christ the King statue in a chapel, symbolizing their opposition to abortion and demand for His public reign.

European Bishops’ Inadequate Abortion Opposition Reveals Modernist Foundations

The Commission of the Bishops’ Conferences of the European Union (COMECE), a post-conciliar body, issued a statement on March 4, 2026, expressing satisfaction that the European Commission rejected the “My Voice, My Choice” initiative to fund abortions with EU money. The statement affirms that abortion “is gravely contrary to the moral law” and that women “should never feel compelled to abort due to social or economic pressure,” urging instead “effective social, economic, and health care assistance.” However, this position, while superficially correct on the intrinsic evil of abortion, is fundamentally compromised by its modernist foundations, its naturalistic reduction of the problem, and its complete omission of the necessary public reign of Christ the King over all nations, as demanded by the unchanging Catholic faith before the conciliar apostasy.

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