Antipopes of the Antichurch

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Portait of Enrique Shaw as a modern businessman with biblical elements and corporate symbols.

Conciliar Sect’s Beatification of Businessman Exposes Modernist Apostasy

Catholic News Agency reports that antipope Leo XIV has approved a purported miracle attributed to Argentine businessman Enrique Shaw (1921-1962), clearing the path for his beatification. The alleged miracle involves a 5-year-old boy’s recovery from a head injury in 2015 after prayers to Shaw. Bishop Santiago Olivera called this “a day of great joy for the Argentine Church,” while the Christian Association of Business Leaders hailed Shaw as “a businessman who understood that industry was […] a true community of persons.”

A traditional Catholic scene depicting the Vatican's Labour Office (ULSA) under antipope Leo XIV, emphasizing bureaucratic apostasy and the absence of supernatural values.

Vatican’s Labour Office Statute Embodies Conciliar Apostasy

The VaticanNews portal (December 19, 2025) reports that antipope Leo XIV approved a new statute for the Labour Office of the Apostolic See (ULSA), expanding its council to include representatives from the Secretariat of State, Vicariate of Rome, and Vatican healthcare services. The text praises “synodal” collaboration and frames labor relations through bureaucratic mechanisms, omitting any reference to the supernatural ends of work or the Social Kingship of Christ. This document exemplifies the neo-church’s surrender to secular humanism.

A reverent Catholic depiction of King David in repentance before God, highlighting his sins and redemption.

Animated “David” Film: Naturalistic Reduction of Sacred History

Catholic News Agency portal (December 19, 2025) reports on an animated film titled “David” produced by Sunrise Animation Studios, which purports to depict the biblical King David’s life “from his humble beginnings as a shepherd boy to his battle against Goliath.” The film, released December 19, features voices of Protestant singers Phil Wickham and Lauren Daigle and claims to “tell the story authentically” while making it “accessible” for families. Director Brent Dawes asserts the film avoids an explicit Christian message to avoid “alienating people who don’t believe,” framing David’s faith as a subjective historical curiosity rather than a witness to divine revelation.

Bishop Richard Moth in Westminster Cathedral, representing the theological conflict between tradition and conciliar compromise.

Westminster’s New Prelate: Another Cog in the Conciliar Machine

Catholic News Agency reports the appointment of Richard Moth as “archbishop” of Westminster by “Pope” Leo XIV (Robert Prevost). The article frames Moth’s career as exemplary – emphasizing his work in prison chaplaincy, criminal justice reform, and nominal pro-life advocacy. It highlights his administrative roles: judicial vicar, chancellor, and bishop of Arundel and Brighton since 2015. Notably, the piece praises Moth for permitting limited Traditional Latin Masses despite Traditionis Custodes while characterizing him as “sound on doctrine” yet not “traditionalist.” The retiring “cardinal” Vincent Nichols effusively welcomes Moth’s appointment, recalling his earlier episcopal ordination under Benedict XVI.

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Antipopes separate web sites with their all documents refutation – in progress

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