Antipopes of the Antichurch
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Neo-Church’s All Souls’ Day Spectacle Reveals Apostate Eschatology
Vatican News (November 2, 2025) reports on usurper Leo XIV presiding over a pseudo-liturgy at Rome’s Verano Cemetery, where he declared God “has opened for us the way to eternal life” through Christ’s Paschal mystery, framing remembrance of the dead as “hope for the future” rather than supernatural reality. The ceremony featured modernist distortions of Catholic eschatology, reducing the Church’s suffrages for the faithful departed to naturalistic sentimentality.
The Vatican’s False Peace: Naturalism Masquerading as Charity in Leo XIV’s Sudan and Tanzania Appeals
Portal Catholic News Agency reports on “Pope” Leo XIV’s November 2, 2025 Angelus address, where the antipope called for ceasefires in Sudan and Tanzania while promoting a naturalistic vision of eternal life devoid of Catholic eschatology. The article highlights his “urgent appeals for peace” through humanitarian corridors and dialogue, framed within his commentary on All Souls’ Day.
Sudan’s Humanitarian Catastrophe: The Silent Apostasy of Secularized “Charity”
Portal VaticanNews (November 2, 2025) reports on the displacement of 62,000 Sudanese from El-Fasher after paramilitary Rapid Support Forces (RSF) seized the city. The article describes shortages of food and water, executions, sexual violence, and looting, quoting UN spokesperson Seif Magango about “horrendous accounts” of atrocities. It frames the crisis as “the world’s largest humanitarian and displacement crisis” affecting 14 million displaced persons amid famine and disease outbreaks, with calls for UN investigations.
Vatican’s Nature Worship Masquerading as Art
Portal VaticanNews reports on an exhibition by Vivian Suter at Rome’s Botanical Garden and Via della Conciliazione 5, inaugurated by Cardinal José Tolentino de Mendonça, where nature is elevated to co-creator status in artistic works. The “Dicastery for Culture and Education” frames this as a challenge to “dominant, sleepwalking categories,” claiming humanity’s “inseparable bond with nature” is foundational to existence. Suter’s canvases—altered by Guatemalan hurricanes, mud, animal footprints, and jungle elements—are presented as a dialogue with the environment, with curator Cristiana Perrella declaring they remind us “we are part of the environment.” The exhibition explicitly ties itself to the ecological themes of Bergoglio’s *Laudato si’* and antipope Leo XIV’s *Dilexi Te*, urging care for “our common home.”
Varia
Announcement:
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