Antipopes of the Antichurch
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Beatification of Fulton Sheen by Antipope Leo XIV: A Theatrical Farce in the Service of the Neo-Church
The National Catholic Register portal reports on the beatification ceremony of Fulton Sheen, presided over by the antipope Leo XIV (Robert Prevost) on September 24, 2026, in St. Louis, narrated through seven vignettes by the modernist commentator Father Raymond J. de Souza. The article exults in the pageantry of the event—the translation of relics, the unveiling of a portrait with a chalk prop, the convergence of conciliar bishops—presenting it as a triumph of divine Providence. **This spectacle is not a glorification of God, but a meticulously staged legitimization of the conciliar sect’s usurped authority, a sacrilegious parody of Catholic sanctity performed by men who have abandoned the Faith.**
Conciliar Sect’s Propaganda Outlet Celebrates Sacramental Desecration and Masonic “Papal” Visit
The Pillar, a propaganda organ of the conciliar sect, reports on the activities of the usurper antipope Leo XIV (Robert Prevost) in France, the Archdiocese of Palermo’s sacrilegial conflation of First Communion and Confirmation, and the Baltimore archdiocese’s vaunted “ordination” numbers—all presented as signs of vitality. This roundup exposes not renewal but the systematic dismantling of Catholic sacramental theology and the replacement of the Church’s divine constitution with a naturalistic, masonic parody.
Tolton Film: Naturalistic Humanism Masquerades as Catholic Hagiography
The National Catholic Register — flagship organ of the conciliar sect’s propaganda apparatus — publishes an interview with Leonardo Defilippis, founder of St. Luke Productions, regarding the film Tolton: From Slave to Priest. The piece celebrates a theatrical adaptation touring the United States since 2017, now captured on film, depicting the life of Augustus Tolton, declared “Venerable” by the usurper Bergoglio in 2019. Defilippis recounts the genesis of the project at the behest of the modernist hierarchy — specifically “Cardinal” Francis George and “Bishop” Joseph Perry — and explicitly states his hope that the film will attract the attention of the current antipope, Leo XIV (Robert Prevost), to secure a miracle for canonization. The article functions as a hagiographic press release for a production that reduces the Catholic priesthood to a vehicle for racial reconciliation and social healing, entirely devoid of the supernatural dimensions of the Mass, the Sacrifice of Calvary, and the salvation of souls. This film is not a work of Catholic apologetics but a manifesto of the conciliar sect’s replacement of the Kingship of Christ with the religion of man.
Antipope Leo XIV Faces Canonical Revolution: Synod Commission Seeks to Abolish Clerical Governance
The Pillar Catholic portal reports that the canonical commission of the Synod on Synodality, under the direction of Cardinal Gianfranco Ghirlanda and coordinated by Archbishop Filippo Iannone — handpicked successor of the antipope at the Dicastery for Bishops — has released a final report proposing radical amendments to the 1983 Code of Canon Law. The proposals aim to enshrine the synodal heresy into positive law by erasing the distinction between the ordained hierarchy and the laity in the exercise of the power of governance: lay judges in ecclesiastical tribunals, lay episcopal vicars under the title of “delegates,” and a projected total revision of both Codes to reflect a false ecclesiology of charismatic democracy. The report confirms that the conciliar sect’s legislative machinery is accelerating the demolition of the divine constitution of the Church established by Christ.
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