Antipopes of the Antichurch

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A traditional Catholic priest in solemn attire stands outside the Pope Francis Technology School in Mongomo, Equatorial Guinea, holding a crucifix with a look of sorrow and concern.

Leo XIV’s Visit to a Technology School Exposes the Neo-Church’s Obsession with Worldly Progress

Vatican News portal reports that on April 22, 2026, the usurper Robert Prevost, known as “Pope” Leo XIV, visited the “Pope Francis Technology School” in Mongomo, Equatorial Guinea, during his apostolic journey to Africa. The article describes the institution as one that “works to help young people in Equatorial Guinea develop technological skills and training,” and notes that the visit occurred one day after the first anniversary of Jorge Mario Bergoglio’s death. Leo XIV is quoted as calling Bergoglio “a devoted shepherd who touched so many hearts” and praising his “courageous witness” during “a change of era.” The article further mentions that Leo XIV invited journalists aboard the papal flight to join him in thanking the Lord for “the great gift of Francis’ life to the whole Church and the world.” This entire spectacle — a visit to a technology school named after a manifest heretic, on the anniversary of his death, accompanied by effusive praise for his destruction of Catholic doctrine — is not merely a diplomatic courtesy but a revelatory window into the spiritual bankruptcy of the conciliar sect and its complete abandonment of the Church’s supernatural mission.

A Catholic priest delivering a homily in the Basilica of the Immaculate Conception in Mongomo, Equatorial Guinea, with a crucifix in the background and a projected screen displaying modernist language.

Self-Salvation Through Human Agency: The Anti-Gospel of Leo XIV

National Catholic Register (April 22, 2026) reports that during his apostolic journey to Equatorial Guinea, Leo XIV urged the faithful to “take the destiny of Equatorial Guinea into your own hands,” calling them to “build a future of hope, justice, and peace” through their own choices and shared commitment. The pontiff celebrated Mass at the Basilica of the Immaculate Conception in Mongomo, praised 170 years of evangelization, and encouraged the baptized to become “apostles of charity and witnesses to a new humanity.” His homily centered on naturalistic appeals to human responsibility, the common good, freedom, and human dignity — while the supernatural order, the Kingship of Christ, the necessity of the true faith for salvation, and the Church’s divine mandate to teach and govern nations were conspicuously absent. This address is not merely incomplete; it is a systematic substitution of the Catholic Gospel with the religion of man glorifying himself, precisely the error condemned by St. Pius X as the synthesis of all heresies: Modernism.

A solemn Catholic church interior with a priest preaching from the pulpit amidst an attentive congregation.

The Good Shepherd Without the True Shepherd: A Post-Conciliar Homily Devoid of Catholic Substance

The Pillar Catholic portal presents an episode of its “Sunday School” podcast, featuring Dr. Scott Powell and Kate Olivera discussing the readings for the Fourth Sunday of Easter, Year A — the so-called “Good Shepherd Sunday.” The episode, titled “Jesus is the Good Shepherd,” offers a preview of the liturgical readings (Acts 2:14a, 36-41; Psalm 23; 1 Peter 2:20b-25; John 10:1-10) and is sponsored by a children’s book from Our Sunday Visitor. What is presented as Catholic catechesis is, upon examination, a textbook example of the doctrinal anemia that characterizes the conciliar sect’s approach to Sacred Scripture — a reading of the Gospel stripped of its ecclesiological, sacramental, and polemical content, reduced to a warm devotional reflection suitable for a religion of sentiment rather than truth.

St. Joseph on Screen: A Film That Dares to Affirm Life in a Culture of Death

EWTN News reports on a new film, “Saint Joseph: Guardian of the Family,” which tells the story of a married couple facing a serious marital crisis. The husband, a journalist, is assigned to investigate testimonies of people who claim to have experienced the intercession of St. Joseph. Through this investigation, he is personally impacted by the saint and is inspired to become the guardian of his own family, striving to fix the struggles they face. The film, made by the Polish production studio Rafael Film through crowdfunding, will be released in theaters across the United States on April 23. Director Dariusz Regucki shared that the film was inspired by Father Jacek Płota, custodian of the National Shrine of St. Joseph in Kalisz, Poland. Regucki described St. Joseph as a “silent yet obedient man” who “simply does his work” and stated that the saint inspires him as a father and husband, confronting him with “the truth” and showing him “what true love really is.” The director hopes viewers will leave the cinema “moved and full of hope,” holding the hand of their spouse, and that they will “look upward, stop dwelling on their sadness and suffering, and begin to affirm life.” While the film’s intentions appear superficially pious, a rigorous examination through the lens of integral Catholic theology reveals a troubling reliance on emotionalism, a near-total silence on the indispensable sacramental and doctrinal framework of marriage, and a naturalistic anthropology that substitutes psychological comfort for the supernatural life of grace — all hallmarks of the post-conciliar spiritual malaise.

Varia

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